Notes from the Road,
March of the Antmen
by Michael Coffey*, October 2001
Rennie Harris Puremovement, a dynamic Philadelphia-based
hip hop dance company, performed at the University of California
at Santa Barbara recently. As a college student in Philadelphia,
I jumped at every chance my studies would allow me to join their
cipher, to explore and celebrate our diverse and rich heritage
through dance, spoken word, and theater. Their respect for capoiera
and traditional African drumming combined with a distinctly urban
edge and sense of urgency mirrored my own artistic sensibilities.
Sitting at the UCSB session, feeling the thumping
beats, taking in the acrobatic moves, and fully appreciating P-Funk
and Endangered Species took me back a couple years to the sites
and scenes of a city overflowing with arts, activism, and energy
- back to master classes at the Pained Bride, Mumia rallies at
City Hall, DanceAfrica at the Brooklyn Academy of Music, Odunde
processions to the Schulkyll River, bantubas at the Community
Education Center, Penn Relay after parties everywhere, and then
- the nostalgia ended abruptly. March of the Antmen had a new
message for me, has new meaning as our leadership pursues the
individuals responsible for the events of 9/11.
I make no claims to be a dance critic, yet the
opening and closing sequences alone held power - a battle scene
of soldiers crawling along, hugging the earth contrasted against
a group of young brothers perpetrating a drive-by and losing one
of their own in the gunfire exchange. Antmen poses a number of
pressing questions: why do men often march into war at a feverish
pace? What parallels are there between "official" and
"unofficial" war zones, between trauma resulting from
gang violence and poverty as opposed to trauma resulting from
warfare? And Who ultimately suffers? Whether you're a b-boy, senator,
dance critic, and/or peace activists, the question we must all
ask ourselves is what role do I play in all of this?
*Michael Coffey
is the Youth Outreach Coordinator for the Nuclear Age Peace Foundation.
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